JHDD Typography Report — 2026.09.18
Peloton magazine, under the creative leadership of Brad Roe, Tim Schamber, and Adam Reek, produced 111 issues notable for their
Read MoreA curated collection of cutting-edge typography, brand identity systems, and innovative packaging design shaping global visual culture.
Peloton magazine, under the creative leadership of Brad Roe, Tim Schamber, and Adam Reek, produced 111 issues notable for their
Read MoreRedken’s concept rebrand, designed by Dahyun Kang, revisits the brand’s scientific roots through vintage laboratory cues and squared forms. These
Read MoreCirque du Soleil extends its performance beyond the stage with packaging adorned with acrobats and circus acts, transforming a simple
Read MoreOodles, the noodle joint identity by Studio South, deliberately evokes the aesthetic of a hip skate brand. This approach is
Read MoreThe PRINT Magazine article “Beach Blankets, Bell-Bottoms & Bold Type” highlights a distinct current of ’70s ‘chunky typographic heat’. This
Read MoreStudio South’s identity for the noodle joint Oodles directly borrows the visual language of a hip skate brand, employing no-nonsense
Read MoreAllison Henry Aver’s LETTER A-to-Zish Dictionary addresses the fundamental language of branding with stark precision. The contemporary design landscape exhibits
Read MoreOatly’s recent packaging in Sweden dedicates an entire side panel to promoting The 89 Percent Project. This prominent display, alongside
Read MoreAllison Henry Aver’s LETTER A-to-Zish Dictionary compiles essential branding terminology into a straightforward guide. This compilation, alongside the holistic design
Read MoreValeria Kokur hand-makes fonts out of unconventional materials like olive oil and shaving cream, underscoring a growing industry focus on
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