JHDD Typography Report — 2026.08.09
Karlssonwilker’s identity for Calder Gardens explicitly championed a slow, collaborative process over AI-driven speed. This emphasis on deliberate method over
Read MoreA curated collection of cutting-edge typography, brand identity systems, and innovative packaging design shaping global visual culture.
Karlssonwilker’s identity for Calder Gardens explicitly championed a slow, collaborative process over AI-driven speed. This emphasis on deliberate method over
Read MoreOTZ LAB’s fragrance packaging employs test tubes and matte steel, moving decisively away from expected luxury cues. A clear pattern
Read MoreAll Purpose delivered a lurid new identity for natural wine importer Ancestrel, deliberately ditching traditional wine clichés. A clear pattern
Read MoreRosebriar, from Laura Worthington Design, features modern OpenType capabilities that enhance its “storybook charm.” This specific detail reflects a broader
Read MoreOTZ LAB’s fragrance packaging eschews traditional luxury signifiers, choosing test tubes and matte steel instead of velvet and gold foil.
Read MorePentagram New York’s identity for the Thai restaurant LenLen achieves a specific “controlled chaos” that appears genuinely effortless. This deliberate
Read MoreRosebriar, a decorative display typeface from Laura Worthington Design, incorporates subtle gothic ornamentation alongside modern OpenType features, signaling a deeper
Read MoreViolaine et Jérémy’s work, characterized by hyper-detailed illustration and artisanal materiality, challenges the industry’s digital-first design assumptions. These diverse projects
Read MoreAll Purpose ditched traditional wine clichés for Ancestrel’s lurid new identity, using a visual language far removed from typical vineyard
Read More“Book the Trip,” a travelogue comprising 700 photographs of rare and one-of-a-kind letterforms, illustrates a persistent undercurrent in typographic practice.
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