Typography

George Hardie’s retrospective at the London Design Festival highlights the enduring value of considered editorial illustration and design. These stories

ONBOX crowdsourced 100 hand-painted letters for Bar Supernova’s identity, demonstrating a specific embrace of craft over pristine digital uniformity. These

ONBOX’s recent identity for Bar Supernova in Vancouver featured a modular wordmark hand-painted by customers. This specific detail highlights a

ONBOX developed a modular wordmark for Bar Supernova by having customers hand-paint 100 letters at a pop-up event in Vancouver.

ONBOX, a Vancouver studio, recently developed a brand identity for Bar Supernova featuring a modular wordmark hand-painted by customers. This

ONBOX designed Bar Supernova’s identity using a modular wordmark composed of 100 hand-painted letters crowdsourced at a pop-up event. This

Dr. Dori’s August Cut emphasizes putting Indigenous perspectives first in design decolonization efforts. This focus, alongside Gary Taxali’s repurposing of

The branding for the 1939 New York World’s Fair specifically aimed to mix cultural messaging with childhood desire through its

Seymour Chwast, at 95, continues to produce work where distinct typographic voices are paramount, as noted by Steven Heller. The

Seymour Chwast, at 95, continues to create, exemplifying a dedication to craft that challenges contemporary notions of design longevity. The