JHDD Typography Report — 2026.07.29
Dr. Dori’s Cut No. 6 advocates for content presented with “100 Words. No Filler.” This directive for concise communication resonates
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JHDD Packaging Report — 2026.07.29
Stranger & Stranger’s design for La Petite Victoire features a bespoke, studded black glass bottle, pushing the boundaries of tactile
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JHDD Branding Report — 2026.07.29
20(Something) designed specific T-shirts for Open Point emblazoned with text across the back, a concrete detail in a broader trend.
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JHDD Web Design Report — 2026.07.28
FLOT NOIR’s reimagining of MERSI’s website underscores a deliberate shift towards interactive fidelity built on precise motion and editorial storytelling.
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JHDD UI UX Report — 2026.07.28
Will Sertório’s photographic series “Five to nine,” depicting designers’ lives outside of their professional personas, points to a quietly intensifying
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JHDD Typography Report — 2026.07.28
The cover of a menswear catalog designed by Milton Glaser in 1957 remains a point of historical reference for designers
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JHDD Packaging Report — 2026.07.28
Deit’s packaging, reimagined by Faena, features painterly ingredient illustrations that trade clinical performance for something akin to a fruit stand.
Read MoreJHDD Branding Report — 2026.07.28
Pentagram New York’s designs for the men’s health brand Rugiet feature unabashedly phallic elements. These recent cases show that brands
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JHDD Web Design Report — 2026.07.27
The detailed approach to building Cerebrium’s interactive experience with 3D and WebGL reveals a deeper pattern in web design. Across
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JHDD UI UX Report — 2026.07.27
The assertion that “websites are boring” suggests a fundamental flaw in contemporary digital product development. This widespread lack of distinctiveness
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