JHDD Packaging Report — 2026.09.26
Little Latke’s custom potato typography, designed by Wonderkind, exemplifies a subtle yet potent trend in contemporary packaging. This detail, alongside
Read MoreLittle Latke’s custom potato typography, designed by Wonderkind, exemplifies a subtle yet potent trend in contemporary packaging. This detail, alongside
Read MoreWedge’s brand identity for Bastét toothpaste prioritizes an utterly gorgeous visual experience over literal category sense. This approach, where a
Read MoreThe proposed CSS random() function, which enables dynamic styling without direct JavaScript intervention, indicates a significant shift in the platform’s
Read MoreBilal Skiani observed a user assuming a transcription product was broken because a six-second processing time for a longer passage
Read MoreLoic Anquetil recently demonstrated a detailed process for creating realistic rust in 3D, emphasizing the physical complexity of materials. These
Read MoreFederico Stefanovich’s renovation of his studio in Mexico City’s Edificio Humboldt deliberately showcases expressive metal lighting within a 1920s structure.
Read MoreAiqi Zhang’s reflection on how observation and cultural memory shape her creative practice, particularly finding meaning in small details, highlights
Read MoreThe Student Center & Dining Commons by Herzog & de Meuron at Amherst College, which utilises the existing concrete foundation
Read MoreLeckerlee’s strategy of releasing 46 distinct lebkuchen tin designs over fifteen years demonstrates a deliberate shift towards packaging as enduring
Read MoreWedge’s design for Bastét toothpaste leverages a visual identity that deliberately makes “no sense” for its category. This deliberate incongruity,
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