JHDD Typography Report — 2026.08.24
Seymour Chwast, at 95, continues to produce work where distinct typographic voices are paramount, as noted by Steven Heller. The
Read MoreSeymour Chwast, at 95, continues to produce work where distinct typographic voices are paramount, as noted by Steven Heller. The
Read MoreBrill Whisky by Harcus Design utilizes white textured paper and irregular label shapes to evoke the remote landscapes of Tasmania,
Read MorePerky Bros’ identity for the Southall resort specifically prioritizes restrained Southern hospitality over “shouty branding.” This approach reflects a broader
Read MoreThe recent exploration into building a music-reactive goo with Three.js and WebGPU for Run Rob Run demonstrates a shift in
Read MoreThe recent finding that AI-generated images can perform as well as stock photography without a perception penalty for users highlights
Read MoreHyperMad Interactive’s Bloodfall features 100% physics-based combat where weapons dynamically collide and rebound. This approach highlights a quiet but profound
Read MoreAIM Architecture’s amphitheatre-like brick podium at Zara Huaihai Road reasserts the physical form’s role in guiding human interaction. This emphasis
Read MoreSordo Madaleno Arquitectos’ Arte Abierto Baja in Mexico employs monolithic walls of exposed concrete and stone to shape the viewing
Read MoreSeymour Chwast, at 95, continues to create, exemplifying a dedication to craft that challenges contemporary notions of design longevity. The
Read MoreMammamia’s 1980s Milanese typography for its THC gummies demonstrates a growing trend: packaging as a deeply immersive narrative device. The
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