JHDD Packaging Report — 2026.07.11
Joy Supply’s packaging, designed by Jake Nicolella, features a squiggly hand drawn wordmark that immediately communicates a playful, approachable sensibility.
Read MoreJoy Supply’s packaging, designed by Jake Nicolella, features a squiggly hand drawn wordmark that immediately communicates a playful, approachable sensibility.
Read MoreStudio Blackburn’s branding for Ellis Butchers embraces an unflinchingly carcass-centric visual identity, yet manages to evoke warmth. This approach, mirrored
Read MoreStudio375’s “Ten Years Away” interactive comic demonstrates a commitment to deeply integrated visual storytelling. These disparate articles reveal a collective
Read MoreA senior designer at a major tech company recently observed an AI model generate a search box with a blur
Read MoreMojtaba Rakhshani’s comprehensive tutorial on modeling a Dan Wesson 2.5″ Revolver exemplifies a focused pursuit of hyper-realism in digital fabrication,
Read MoreThe gigantic fibreglass dumpling lamp designed by Open Studio for Dumpling Darlings represents a spatial shift beyond mere aesthetic novelty.
Read MoreThe renovation of KOSMALT, originally the largest workers’ dormitory of the Košice steelworks VSŽ, built in the 1960s, represents a
Read MoreYard NYC’s identity for European Wax Center employs contrasting typography to express brand personality. A subtle but pervasive pattern emerges
Read MorePearle’s hinged silver scallop shell elevates plant-based caviar, trading category clichés for heirloom charm. Across diverse sectors, packaging design is
Read MoreStudio Blackburn’s branding for Ellis Butchers is unflinchingly carcass-centric, yet manages to evoke warmth. This directness, seen across recent projects,
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