Typography

Sheps’ design strategy for AMC re-evokes wonder by revisiting its 1979 identity rather than simply replicating it. The recent design

The rebranding effort for AMC, spearheaded by Sheps, aims to create a cinematic brand experience rooted in wonder, drawing inspiration

Pencil Magazine’s continued existence highlights an industry’s persistent fascination with the tactile origins of design. The recent dispatches from The

Yard NYC designed the European Wax Center identity using contrasting typography to achieve a balance of expertise, confidence, and personality.

The Obama Presidential Center features 458 oversized Gotham Bold letters in its ‘Words of Hope’ installation. This monumental application, alongside

Six Cinquième’s recent work for the arts nonprofit 1001 Colors, where identity was drawn from history literally embedded in the

Six Cinquième unearthed a piece of history hidden in the literal fabric of 1001 Colors’ new headquarters, a specific act

Kate Schroeder crafts unique mugs and light fixtures, drawing inspiration from carefully observed scenes in the home and midcentury modern

Yard NYC’s identity for European Wax Center employs contrasting typography to express brand personality. A subtle but pervasive pattern emerges

Six Cinquième gave the arts nonprofit 1001 Colors a scalable national identity by unearthing a piece of history literally hidden